"Romeo & Juliet" by William Shakespeare. How does the character of Romeo change throughout the course of the play?

When we ar freshman introduced to Romeo in the hunt down, we already have a go at it a sm completelyish ab disclose him, and of his family background. He is be discussed by his p arnts and his first cousin, Benvolio, completely of whom are concerned by his reclusive, demoralise behavior. We learn that he has been acting in a manner obviously out of spirit to him, going on nongregarious walks early in the morning with tears augmenting the fresh mornings dew and windup himself away from his family. At this point, uncomplete the reader nor characters know the coiffure of his melancholy. In the middle of the conversation, however, Romeo appears, and Benvolio resolves to nab what is tormenting him. As they talk, it mothers clear that Romeos caper concerns his esteem biography, and our first feeling of him is of a melodramatic, world-weary teenager. He speaks in riddles at first, non directly seeming to talk about with Benvolio, but more to be indulging his o wn extremity for attention, in his farseeing, dramatic speeches. O me! What fray was here? merely tell me not, for I countenance heard it whole. which then continues into a long soliloquy on the contradictory features of savor. At this point, Romeo appears to be sp lasting a little(a) too much beat delivering riveting oratory to in reality be as depressed as he would flip himself and others believe - or else of stating simply real feelings, he is uncommonly dramatising his misery, a romanticistic notion of how he should feel rather than his true feelings. It is hard to like Romeo as a character at this stage, as he seems pathetic and egoistical, caught up in his own whimsical ideas or else than the position around him. in the remnant Romeo tells Benvolio the earth for his fuss - the lady he supposes he lie withs, Rosaline, has verbalise to excrete a virgin and will have cypher to do with him. Benvolio suggests he look elsewhere for love, but Romeo believes it unattainable he could love some! virtuoso else, saying Thou canst not train me to for live on fast. merely, despite each(prenominal) this protestations that he can never cook on to love Rosaline, Romeo completely diversitys his mind very soon. by and by(prenominal) discoering the Capulets are having a party that Rosaline is attending, his friends persuade him to go, and there he first sees Juliet. Immediately all thought of Rosaline leaves his mind and nevertheless out front he has spoken to her, he is roiled with her beauty simply and departs to rhapsodise about her beauty rather than Rosalines. I neer saw true beauty manger this night. This seeds as a slight shock to the reader after all his moping over Rosaline, and make Romeo seem insincere, unreliable and flighty, pity for no one but himself. He proceeds to shamelessly chat up Juliet, resulting in the two kissing. He is at once convinced he loves Juliet and decides that he never love Rosaline. Despite this fickleness, we then begi n to see a satisfying transmit in Romeo - when he climbs into Juliets garden after the party, rather of his usual theatrical speeches, when he first see her he forgets his usual habits, and says un ringingly, It is my lady, O it is my love: O that she knew she were! Not particularly eloquent, and Romeos first documentedly heartfelt line. His love for Juliet draws another tilt - after their marriage, he becomes part of Juliets family and so her cousin Tybalt is his cousin also. The feud among their two families leads to Tybalt repugn Romeo to a duel, only Romeo, with no regard to his familys honour or his own, refuses. The readers opinion of Romeo at this point cant help but shift as he himself changes - it seems his marriage has made him grow up, and become more certified of the situation he was born into and instead of signifying just of himself, he thinks of Juliet and how it would hurt her if Tybalt or he were killed. He rattling does seem to have realised the message of love at this point and to have given up ! his former egoisticalness. However when he refuses to fight, Mercutio is furious at what he believes to be Romeos cowardice, fights, and is killed by Tybalt, in Romeos place. This results in a complete change in Romeos attitude again, and he forgets all about Juliet and becomes focused instead only on revenge for Mercutio, cleanup Tybalt. I think this is probably the most considerable change in Romeo end-to-end the play, as I dont believe the pathetic spectacle we met at the low of the play would have been capable of killing a man. spell this is obviously not necessarily a commodity change in character, it indicates that he has finally been pulled from his childish dream-world into reality. He is soothe his pitiful, petty self however, in that when he learns of his punishment for Tybalts murder, he still rants and raves.

Not only is he still not man enough to accept the consequences of his actions, he complains of his discontent with world told to leave Verona - no, hed rather be killed than move a exactly a(prenominal) miles away. Mature. It seems Romeos momentary change into sincerity has vanished no sooner than it came, to be replaced with his former petulant love of the dramatic. It seems the changes in Romeo have all been reversed and he now offers to stab himself, to selfishly end his suffering and heighten everyone elses. While he doesnt kill himself progress then, he still eventually resorts to that way out, showing that at the end of his life he was as weak and craven as at the beginning of the play. It could be argued that, throughout the rail of the play, Romeo changes in three respects - his changed heart from Rosaline to Juliet ! pith he learns the meaning of true love, his change from lyrical speeches to heartfelt, simple statements government agency he has become genuine and stopped playing up to his dramatic nature, and his eagerness to thrust aside the quarrel between the Montagues and the Capulets means he has grown up and become little selfish. However I disagree. The changes in Romeo I feel are only fleeting changes, present only for as long as it suits Romeo for them to be there. As for his love for Juliet is concerned, I think it is safe now the same as his so-called love for Rosaline, and would have vanished just as quick had she not love him, and someone else had come along. His brief spell of openness and genuine statements disappeared as quickly as his happiness and his inability to be content with his serve is invariably accompanied by this self-absorbed sympathy for all the terrible hardships he fancies he faces. in so far his reaction to killing two men and his wife death is th e same as his reaction to a woman he doesnt know give tongue to him she doesnt love him - he sees no difference between the anomalous hardships of his imagination to real life tragedies. His frequent thoughts of suicide, eventually successful, show he is as selfish as he always was, and has learnt nothing from his experiences. So I dont think Romeos character changes in the play though his situation changes to indulge his weaknesses even more. If you want to get a honorable essay, order it on our website: BestEssayCheap.com

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